PSi Digest 35 (August 2008)
CONTENTS
Workshops / Opportunites for Artists (Items 45 - 51)
Workshops
45. Body Weather Workshop, Sept 6-7 2008, London, UK 46. how to get on the telly, Oct 2008, UK
Opportunities
47. Thursday Club Open Call for Projects and Proposals (due Aug 4) 48. Emergency 2008, Sept 26-28 2008, Manchester, UK (due Aug 8) 49. Residency in Berlin 2008 (due Aug 12 onwards) 50. Crossbreeds Platform 09, Jan 2009, Austria (due Aug 20) 51. Call for Participation in an Online Action Cookbook (no date)
WORKSHOPS/OPPORTUNITIES FOR ARTISTS
45. Body Weather Workshop, Sept 6-7 2008, London, UK
with Frank van de Ven (BW Amsterdam)
Chisenhale Dance Space- Mile End
The basic training and point of departure for this workshop - Body Weather - is a comprehensive training and performance practice that investigates the intersections of bodies and their environments. Bodies are not conceived as fixed and separate entities but are - just like the weather - constantly changing.
Body Weather creates an open and effective listening to one’s mind, one’s body and to ones surroundings. This listening extends the possible connections between mind and body and evokes an understanding of the body functioning as an environment within a greater environment. As a training, Body Weather is of relevance to anyone interested in exploring the body and physical presence and this workshop is suited to dance, theatre and movement practitioners of various backgrounds. A specific field of inquiry for this London workshop will be the interaction and symbiotic relation between language and movement from a Body Weather perspective.
Daily practice includes:
- MB (mind/body, muscles/bones)
An energetic, dynamic and rhythmic movement work-out that observes the kinaesthetic sensitivity and co-ordination potential of the body-in-motion while developing strength, endurance, flexibility and grounding.
- Manipulations
Structured and paced work with partners, concerned with breathing, stretching, alignment and the notion of ‘relaxation’.
- Laboratory
A wide forum of explorations including work on segmentation, different speeds within the body and the notion of time, sensory investigation, spatial awareness inside and outside the body, image-to-movement work.
Emphasis is given on observation and feedback as a means to objectify experience and to sharpen and articulate the perception of bodies.
The term & philosophical basis for Body Weather was founded in the early 1980's by Butoh dancer Min Tanaka and further developed by Laboratories worldwide. Frank van de Ven worked from 1983 to 1992 in Japan with Min Tanaka and the Maijuku Performance Company. In 1993 he set up with Katerina Bakatsaki 'Body Weather Amsterdam' as a platform for training and performance. Since 1995 he conducts with Milos Sejn (Academy of Fine Arts Prague) the interdisciplinary Bohemia Rosa Project, (www.bohemiaerosa.org) connecting body and landscape with art , geology and architecture. Currently he directs solo’s for young makers at Archa Theatre in Prague. An ongoing collaboration exists with musician Daniel Schorno, artistic director of Steim in the 'Noughts' project.
Date: Saturday 6th & Sunday 7th September 2008
Time: 11am to 5pm
Place: Chisenhale Dance Space
64 – 84 Chisenhale Rd
London E3 5QZ
Workshop Fee £80- £65 concession
Further Information and Booking in the U.K. : Monique Hunt monihunt@uktheatre.net tel: +44 -7837819789 Or Frank van de Ven frank.bwa@xs4all.nl see also www.bodyweatheramsterdam.blogspot.com
If colleagues or students would like more information please write (off list) to:
monique.hunt@bruford.ac.uk or monihunt@uktheatre.net
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46. how to get on the telly, Oct 2008, UK
lead artist: mark mcgowan, 07828524056, chunkymark1974@yahoo.com
where: guy hilton gallery, fournier street
when: october 2008
duration: 1 month, every thursday, 4pm until 8pm x 4 sessions, plus event x 1 day
for: anybody and everybody, but especially artists looking for media exposure, marketing and events people... maximum 10 people
In an extraordinary art workshop artist mark mcgowan will lead a small group of people through the process of developing and delivering an art event with the primary purpose of enetering the international, national and local news media via television, newspapers, radio and intenet.
The workshops will focus on three main elements, the NARRATIVE, which exists before during and after an event. The EVENT ITSELF, which is extremely low budget but has a high impact. And finally, the DOCUMENTATION, which comes in the form of television, newspapers etc.
The participants will be lead through the process and asked to develop there own projects, but only one project will be chosen at the end and all participants will take part in producing the finally piece as a group event.
Mark McGowan has specialised in art performance within a media context for 7 years during which he has eaten a small corgi dog, left a tap running for one year, crawled on his hands and knees from london to canterbury with 18 boxes of chocolates tied around his wrists and ankles, a rose between his teeth and a big sign on his back saying COULD YOU LOVE ME and lay down in Birmingham city centre dressed as a dead soldier etc...
for more info and how to apply chunkymark1974@yahoo.com 07828524056
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Opportunities
47. Thursday Club Open Call for Projects & Proposals (due Aug 4)
The Thursday Club is an open forum discussion group for anyone interestedin the theories and practices of cross-disciplinarity, interactivity, technologies and philosophies of the state-of-the-art in today’s (and tomorrow’s) cultural landscape(s). The Club is supported by the Goldsmiths Digital Studios (GDS) and the Goldsmiths Graduate School.
Originally set up in October 2005 by GDS as a more informal setting for research discussions, it has grown to include 193 members: artists, technologists, scientists – in fact, a growing diversity of people from different communities worldwide, that are connected via a mailing list and online forum.
Most importantly, there are regular meetings in ‘real' space at the Ben Pimlott site of Goldsmiths, University of London. Anyone can attend these events. By keeping these meetings free, informal and open to all, we provide a platform for diverse and open ended discourse, for people who perhaps would not have the opportunity to discuss ideas outside of their chosen discipline.
The Thursday Club brings together people from diverse fields and degrees of expertise, aiming to initiate discussion and debates among postgraduate students, researchers, academics, artists, theorists, and other cultural practitioners.
Since it focuses on interdisciplinary practices, the Club is interested to experiment with innovative formats of presentation that are appropriate to the nature of the subject. We particularly welcome the proposal of round table discussions, panels, screenings, 'hearings', live gigs and performance lectures. We are also interested to platform experimental work-in-progress of both practical and theoretical nature.
Submission Materials
1. A Title and 300 word abstract of your proposal
2. A 1,000 word proposal that will substantiate your abstract as well as include information regarding issues of methodologies and format of presentation; also, this should explain why you think that the Thursday Club is an appropriate forum for the presentation of your work.
2. A 200 word biog
3. Your contact details: name, address, email, telephone number
4. Any relevant links to your work
5. A jpg of your work (if relevant)
Please send any submissions by email to Prof. Janis Jefferies <j.jefferies@gold.ac.uk> and Patrick Tresset <ma701pt@gold.ac.uk> writing 'Thursday Club Submission' as a Subject.
The deadline for the submission of proposals is 10AM, ON MONDAY 4 AUGUST
2008.
The submissions will be reviewed by the Thursday Club Board.
THURSDAY CLUB BOARD
Dr. Tim Blackwell
Department of Computing, Goldsmiths; co-Head, Live Algorithms for Music
Network.
Maria Chatzichristodoulou [aka Maria X]
PhD Candidate Goldsmiths Digital Studios; Visiting Lecturer Goldsmiths;
Curator.
Kelli Dipple
Webcasting Curator Tate
Prof. Janis Jefferies, Thursday Club Convener
Professor of Visual Arts, Department of Computing, Goldsmiths; Co-director
Goldsmiths Digital Studios; Director Constance Howard Resource and
Research Centre in Textiles; Curator; Artist.
Alex McLean
PhD Candidate Goldsmiths Digital Studios; Sound artist.
Myrto Karanika
MFA Student Goldsmiths Digital Studios.
Dr. Sarah Kember
Reader in New Technologies of Communication, Department of Media and
Communications, Goldsmiths; Writer.
Nanda Khaorapapong
MFA Student Goldsmiths Digital Studios.
Prof. Carrie Paechter
Professor of Educational Studies, Goldsmiths; Dean of Goldsmiths Graduate
School.
Stanza
Artist; AHRC Fellow Goldsmiths Digital Studios.
Patrick Tresset
PhD Candidate Goldsmiths Digital Studios; Artist.
Prof. John Wood
Professor in Design, Goldsmiths.
Matthew Fuller
Reader, Centre for Cultural Studies, Goldsmiths; Writer.
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48. emergency 2008, Sept 26-28 2008, Manchester, UK (due Aug 8)
FREE
greenroom, 54-56 Whitworth St West, Manchester, M1 5WW
Following straight on from Hazard this past weekend (myspace.com/hazardmcr) emergency is now back for its 8th year!
Artists working in live art, contemporary performance, time-based media and interdisciplinary arts are invited to submit proposals of short pieces of work, works in progress or extracts of longer works for inclusion in this event.
Emergency is:
• a free public platform weekend\
• an opportunity for artists to meet, show and peer review work
• a selection event for a number of small Method Lab commissions to be developed and supported by greenroom and hÅb (subject to funding)
• an artist networking event.
Proposals should be for pieces with some live presence, 20 minutes maximum for show-type work, technically simple and adaptable to quick turnarounds. Intervention-based works in and around greenroom are also strongly encouraged.
Selection will be by Garfield Allen of greenroom and Tamsin Drury of hÅb.
Priorities are for high quality and exciting live art/contemporary performance work by North West based artists, which has not been seen in Manchester before. Proposals from non-North West based artists will be considered particularly if they are for interventions and/or for Workspace and Open Space, but due to high demand may not be successful in being included in the Performance Space programme.
The focus of the event is on non-linear performative work from a cross-artform background. We therefore advise that work that is primarily from a theatre, poetry, music or dance base would be better served by proposing to a different context.
We are now open for submissions. For full information and application forms are available for download from:
www.greenroomarts.org/emergency
www.myspace.com/emergencymcr
Deadline for proposals: Friday 8 August 2008.
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49. Residency in Berlin 2008 (due Aug 12 onwards)
ART CLAIMS IMPULSE
www.art-claims-impulse.com
ARTIST RESIDENCY IN BERLIN
Deadline 2 week residency: 12 August.
Residency Period: 26th August - 10th September (2 weeks).
Exhibition: 9th September - 20th September.
Deadline 4 week residency: 5 September.
Residency Period: 28 September - 26 October (4 weeks).
Exhibition: 25. October - 08. November.
Deadline 4 week residency: 17. October
Residency Period: 9. November - 7. December (4 weeks)
Exhibition: 6 December - 21. December
The ART CLAIMS IMPULSE residency program consists of normally a four (4) week working period [This post contains a short term residency opportunity 26. August - 10. September] in which artists are encouraged to develop and complete one or more works of art, which will be subsequently exhibited in the gallery space for a period of 2 weeks.
Eligible for application are artists working with video and multimedia installations, as well as performance artists. The application should consist of a DVD of video, performance or installation work, as well as a proposal of the project(s) to be researched, developed, and/or produced during the time of the residency.
ART CLAIMS IMPULSE -- is a gallery specialized in video, multimedia, and performance art. The program consists of exhibitions and regular weekly screenings of international young and established video and performance art. It is located in Kreuzberg, a young and vibrant international area of Berlin.
ART CLAIMS IMPULSE is looking forward to your application.
For more information, please visit the website (there is a pdf on the front page with more detailed information). If you have any further questions, please write to info@art-claims-impulse.com
Best wishes,
Pierre Wolter & Melanie Zagrean
Gallerists & Directors
Berlin, 22.July.2008
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50. Crossbreeds Platform 09, Jan 2009, Austria (due Aug 20)
CALL FOR PROJECTS/WORKS
CROSSBREEDS is a platform for artistic positions “in between”.
CROSSBREEDS 09 is looking for transdisciplinary artistic works which interface dance/performance with other art forms and especially new media. Works/projects can be entered in the categories dance/performance; (short) film/video/animation; and installation or ways of creative expression which do not fit in any of the other categories.
• Dance/performance: we are looking for projects, which formulate medial interface work as a co-operative aspect of their conception and working process.
• (Short) film/video/animation: works specifically based on dance/performance/body, which transfer a choreographic perspective with the principles of film. Documentaries of performance works are accepted provided they deal with film issues and can be regarded as independent artistic film work.
• Installation: Projects can be entered which integrate the mentioned aspects above.
A selection of the entries will be programmed for January 2009. The programme will offer insights into artistic hybrids in different spaces of the WUK area, and discuss artistic contents and issues of medial transdisciplinarity in various discursive formats.
NB: In the category dance/performance, only works of Austrian based artists can be taken into consideration; in the categories (short) film/video/animation and installation, international works are accepted, too.
CROSSBREEDS 09 is realized by Im_flieger in co-operation with
theater/tanz | WUK and KUNSTHALLE EXNERGASSE
Info/entry form: www.imflieger.net
Contact/info: imflieger@wuk.at
Andrew Mitchelson
Live Art Development Agency
Rochelle School
Arnold Circus
London E2 7ES
United Kingdom
t: +44 (0)20 7033 0275
f: +44 (0)20 7033 0276
lois@thisisLiveArt.co.uk
daniel@thisisLiveArt.co.uk
andrew@thisisLiveArt.co.uk
info@thisisLiveArt.co.uk
www.thisisLiveArt.co.uk
www.thisisUnbound.co.uk
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51. Call for Participation in an Online Action Cookbook (no date)
Dear Friend,
We are preparing a publication we believe you might be interested in.
The publication consists in a collection of instructions for actions and performances (understood in the widest sense of the term) which can be physically executed and which must have an edible product as a result.
Our idea is to create a full-blown action cookbook, to be published and distributed over the 'net'. This implies that said 'instructions' (edible action recipes) be designed so as to be repeated and interpreted by other people, in other places, with no need for explicit permissions, while always bearing in mind the ethical use of the results of creative labour, something inseparable from work and form this publication.
We understand this publication as a collective endeavour, with no retribution, and we do not expect to make any profits from this product. The sales profits will be destined to cover the printing costs - although we might consider applying for a grant in order to fund its production and public presentation.
This call has been sent out to over 100 artists from the performance and live art field. On the other hand, we will work towards making the full publication available online in the shortest time possible.
The publication will be covered by a copyleft licence. You can find out more about copyleft at http://fundacioncopyleft.org.
In order to guarantee the homogeneity of the project, we attach a model form with the necessary fields and details on the piece as well as a list of specific requirements.
We would like to complete the selection of content for the publication by mid-September. So, we are expecting your exquisite proposals, and we remain at your disposal for any doubts, as well as comments or other contributions you might have, which are always welcome.
François Winberg, Pepe Murciego and Nieves Correa.
Madrid. June 2008.
Specific Requirements:
1). The action-recipe must have a maximum extension of 2100 characters (should you require a longer extension, we will look into the possibilities, depending on the interest and specific needs of your proposed recipe).
2). The action must be clearly doable and the result must be edible. In order to expand the expressive possibilities of the idea, we would not shy from including an appendix dedicated to pieces which adopt the form of a recommendation, a piece of advice, utility, terminology, presentation, explanatory diagram, etc.
3). It is recommended that you include details on how to expand the real possibility of realising the performance piece; either advice on how to locate a specific product, a tool, a recommendation, etc.
4). In the case of sending a number of performance recipes, we will look into the possibility of including as many as possible, while bearing in mind the specific requirements of the publication.
We have faith in your good criteria when interpreting these requirements.
Important details to include with the proposed action instructions:
• Title of the work / Name of the resulting dish (if available).
• Date (year) when it was conceived.
• Author's name. (We will respect anonymity).
• Additional information (E.g., "Estremaduran action piece", "check with your G.P. before ingesting this dish", or "this dish is only for shunned husbands", etc.)
• Approximate length of preparation/execution of the piece.
• A list of ingredients and necessary materials (preferably according to number of people served).
• A description of the action/cooking piece.
• Final presentation (if applicable).
We would like to ask you to send the text in a digital format (.doc), since this greatly eases its subsequent treatment to: accionconhambre@gmail.com
Or, by traditional mail, to:
Sr. François Winberg
C/Gaztambide 30.3ºC
28015 Madrid, Spain.
Or, otherwise, get in touch with us at:
François Winberg. telf.: # 34 649 151 726
Pepe Murciego. telf.: # 34 699 560 127
Nieves Correa. telf.: # 34605 59 49 45
PERFORMANCELOGÍA
Todo sobre Arte de Performance y Performancistas
Recopilación, Publicación, Difusión e Intercambio
de Documentación sobre Arte de Performance y Performancistas
Web: www.performancelogia.com
Boletines: http://groups.google.com/group/performancelogia
Colaboraciones: performancelogia@gmail.com
Intercambios: Av. Urdaneta, Edificio Ipostel.
Apartado Postal: 5048. Caracas, Venezuela.
Si deseas recibir nuestro Boletín Informativo,
regístrate a través de nuestra dirección:
http://groups.google.com/group/performancelogia
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