Global Performance Studies is proud to announce the publication of Issue 3.2
Openings
Introduction
Openings
Felipe Cervera
Articles
Applying “The Viewpoints” to Multimedia Performance
Darren Moore, Adam Marple, Andreas Schlegel, and Brian O’Reilly
aisthēsis: Feeling Through the Skin of My Eyes
Naomi P. Bennett
No Exit: Performance Failure in the Global Mall
Emma Willis
The Performance of Covert Cultural Landscapes: A Theatre/Archaeology Analysis
Fraser Stevens
Revisiting the Rock — Self-diffraction as a Strategy
Annette Arlander
Re-enacting Ashura and Animal Sacrifice
Nazli Akhtari
The Timespace of Crisis on Jan Fabre’s Mount Olympus
Sylvia Solakidi
Manifesto: Theatre for the Dead
Christopher Danowski
Responses to COVID-19
A Spatial Bubble of Digital Pandemic Theatres
Kyoko Iwaki
Some Notes on COVID-19 Times, in São Paulo, Brazil
Juliana Moraes
Notes from Lockdown
Heike Roms
Re-imagining “America” in the Heart of the Pandemic
Kevin Brown
Global Performance Studies is a peer reviewed online academic journal sponsored by Performance Studies international (PSi). Our goal is to provide a resource to scholars and artists who are seeking to publish both traditional articles as well cross-platform, multi-media content that pushes the boundaries of what we think an academic journal can be. We are also interested in finding ways the journal can serve a truly global audience of performance studies scholars and artists.