Performance Studies international

Performing Re-markings

Summer, Fall, Winter 2025

Performing Re-Markings is an online event series exploring queer/nonconforming aesthetics through talks, performances, and dialogues.

029

Day(s)

:

06

Hour(s)

:

06

Minute(s)

:

19

Second(s)

About the Event

An Online Constellation

This online constellation of events, gathered under the theme of ‘Performing Re-Markings,’ draws inspiration from Supraja R’s research on ‘Cleaving’ queer/non-onforming aesthetics. The series of talks, featuring artists, scholars, and educators from India alongside their collaborators from broader global-local networks, fosters intentional exchange and dialogue around this theme. While ‘Performing Re-Markings’ serves as a common threshold or meeting point, it may resonate with, spark, inform, or even diverge from the individual practices of the participants. These events—whether in the form of performance lectures, traditional sharings, or other modalities—offer opportunities for reflection on the complexities of queer and/or non-conforming aesthetics through ‘Re-marking,’ a key component of ‘Cleaving,’ a critical performance conceptualization and methodology.

Featured Sessions

First Phase

Sharanya Ramprakash is a Bengaluru based theatre maker. She places her work in the intersection between gender, tradition and language, with a focus on Kannada culture. She writes, acts, directs and collaborates with a range of forms, communities and theatre makers across local, national and international locations. Her work is research based, collaborative and exploratory. She is an INLAKS scholar and Member of the Lincoln Center Director’s Lab, New York. She is the recipient of the Shankar Nag Theatre Award 2022. She can be found on Instagram @sharanya.ramprakash.

Date: May 10, 2025
Time: 4:30-6:00 PM Bengaluru, IST; 7:00-8:30 PM Manila, PHST;
11:00-12:30 PM GMT; 7:00-8:30 AM New York, EDT;
12:00-1:30 PM London, BST

Second Phase

Shilpa Mudbi Kothakota is an artist currently living in Kalaburgi, Karnataka, India. Born and brought up in Bengaluru, India she graduated in Media Arts and production from Sydney, Australia. She has been in the field of social justice as a social activist and media consultant with NGOs working on youth, women and child rights. She taught Documentary filmmaking in Mount Carmel Collage, Bengaluru and has worked at Ranga Shankara Theatre Bengaluru as a Program Coordinator. She is the Co-founder of Urban Folk Project, a collective that looks that collating of folk knowledge systems of North Karnataka. She has been a Karnataka Janapada Academy member for the three years 2019 to 2022. She is currently on the Academic Advisory Committee of the Indira Gandhi National Centre for the Arts (IGNCA), Bengaluru. She can be found on Instagram @shilpamudbi.

Date: June 7, 2025
Time: 4:30-6:00 PM Bengaluru, IST; 7:00-8:30 PM Manila, PHST;
11:00-12:30 PM GMT; 7:00-8:30 AM New York, EDT;
12:00-1:30 PM London, BST

Third Phase

Mandeep Raikhy is a dance practitioner with a particular interest in exploring the
intersections between performance, research, pedagogy and activism. He completed a BA (Hons) in Dance Theatre at Laban in 2002 and then toured with Shobana Jeyasingh Dance Company, London between 2005 – 2009. Mandeep has created several dance works, notably Inhabited Geometry (2010), a male ant has straight antennae (2013), Queen-size (2016), Anatomy of Belief (2019), Hallucinations of an Artifact (2023).
These works have travelled across the country and internationally. Mandeep has also worked to develop a supportive environment for contemporary dance in India through several initiatives since 2008 such as the Gati Dance Forum, Khuli Khirkee and the M.A. Performance Practice (Dance) at Ambedkar University, Delhi. He can be found on Instagram @mandeepraikhy.

Date: July 5, 2025
Time: 4:30-6:00 PM Bengaluru, IST; 7:00-8:30 PM Manila, PHST;
11:00-12:30 PM GMT; 7:00-8:30 AM New York, EDT;
12:00-1:30 PM London, BST

Fourth Phase

Diya Naidu is an independent artist based in Bangalore and Mumbai, India. A versatile choreographer, dancer, performer, facilitator, and arts organizer, she founded Citizens of Stage Co Lab, a collective dedicated to sustainability in dance through community engagement. Diya’s work spans multiple artistic forms, with recent performances including Ceremony of Longing in India and at Kampnagel, Hamburg. She recently developed a piece with Swiss choreographer Jozsef Trefeli, exploring how different cultures approach the aging body, that premiered in Bengaluru, November 2024. Diya has curated dance for Shoonya Centre for Art and Somatic Practices and performed
internationally with companies like Attakkalari Centre for Movement Arts. Her work has been showcased globally in festivals such as The Park Festival, Korzo Theatre Festival, and the Hindu Theatre Festival. A recipient of numerous grants, including the Pro Helvetia Co-creation grant, she is a mentor and movement director for various theatre projects. She can be found on Instagram @diyanise.

Date: October 4, 2025
Time: 4:30-6:00 PM Bengaluru, IST; 7:00-8:30 PM Manila, PHST;
11:00-12:30 PM GMT; 7:00-8:30 AM New York, EDT;
12:00-1:30 PM London, BST

Organizer

Engaged with research through theatre, dance and performance studies, Supraja R (M.A, I.M.Sc, PGD) traverses boundaries of interdisciplinarity. As a pedagogue and critic, they strategize scholarship and artistic practices to spark engagements, beyond foreclosing disciplinary integrities. Tussling with questions of embodiment and social positionality, within and beyond the boundaries of the studio floor, they have published in theatre journals such as the Contemporary Theatre Review and Critical Stages/ Scènes critiques. Their visual essay and performance review, extending their theoretical work, ‘cleaving’, into artistic domains, can be found in the Alternative South Asia Photography (ASAP) Art and Qurbatein: A Gender and Sexuality Bi-annual. You can find them on Instagram @rajaranikallapolis.

Registration

Constellate is home to several events. Register here!